Friday, January 6, 2012

the bloc of creatives and super exploiteds

"why is it that, even when there is next to no other constituency for revolutionary politics in a capitalist society, the one group most likely to be sympathetic to its project consists of artists, musicians, writers, and others involved in some form of non-alienated production?"

d Graeber

 "Surely there must be a link between the actual experience of first imagining things and then bringing them into being, individually or collectively, and the ability to envision social alternatives—particularly, the possibility of a society itself premised on less alienated forms of creativity? "


"One might even suggest that revolutionary coalitions always tend to rely on a kind of alliance between a society’s least alienated and its most oppressed; actual revolutions, one could then say, have tended to happen when these two categories most broadly overlap. "

"This would, at least, help explain why it almost always seems to be peasants and craftsmen—or even more, newly proletarianized former peasants and craftsmen—who actually overthrow capitalist regimes; and not those inured to generations of wage labour."

" It would also help explain the extraordinary importance of indigenous people’s struggles in the new movement: such people tend to be simultaneously the very least alienated and most oppressed people on earth."

" Now that new communication technologies have made it possible to include them
in global revolutionary alliances, as well as local resistance and revolt, it is well-nigh inevitable that they should play a profoundly inspirational role. "